So, you’ve reached the climactic sequence, and you’re wondering how to make these final scenes the most dramatic part of your novel; the answer is simple, by including a hero at the mercy of the villain scene. At this point, you’ve probably got a few questions floating around your mind. What is the hero at the mercy of the villain scene? Where does this scene sit within the climactic sequence? And, is this scene appropriate for my story?
So, you’ve reached the start of the third act of your outline or in your first draft, and you’re not sure how to propel your protagonist from the second act to the third act. There is a scene in story structure that creates a doorway or a transition between the final two acts. It’s generally referred to as the second turning point, second plot point, or the Dark Night of the Soul. If this is coming you’re struggling with as you’re writing your first draft or brainstorming your story outline, then this episode is for you. In this episode, I will discuss, the essential elements, and provide five tips on how to write a compelling Dark Night of the Soul scene.
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A van Gogh is Missing and A Body is on the Lawn
When Will Thatcher, doesn’t show up for work, James Lalonde is forced to attend an afternoon tea with Alistair Carmichael in his place. The lovely autumn afternoon tea comes to an abrupt end when a body turns up on the lawn of the Carmichael Estate with strange markings on his neck.
But, something is missing, a priceless painting is off the wall. However, it’s no ordinary painting, it’s a Van Gogh purchased in an auction a few months ago. After discovering fresh tracks, most likely left by the murderer James realises the murder is still in the estate.
Can James figure out who the thief and murderer are before he or Alistair is next?
A Murdered Judge. A Dark Secret Silenced.
Rookie reporter James Lalonde is bored. And, he isn’t a journalist. He’s an all-round dogs-body, to editor-in-chief, Rhys Kelly. But, his luck has finally changed. After eavesdropping in on the morning editorial meeting, James learns he has his first-ever story. There’s one catch. If the story gets too complicated, it will be taken away from him and given to another journalist with more experience. Sure it’s a boring interview with the soon to be sworn-in magistrate, Albert Harrington, but it finally gets him out of his six-month slump as an editorial research assistant.
The following day, James turns up to his interview with Albert to discover a trail of blood smeared through Albert’s house, an empty safe, the murder weapon on the floor, but no body. Detective Anwar Khan turns up to the crime scene, puts two and two together, and believes James murdered the controversial magistrate. Can James clear his name and write his first-ever story before his editor takes it away from him?
What I’m Writing Now!
83,827 of 85,000 Words
Right now, I’m preparing Book Two in the James Lalonde series, for a final round of revisions. The next step is to send the story off to my editor. I aim to have this eBook published on all major ebook retailers by the end of September 2022. And, I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
0 of 60,000 Words
I’ve decided to add an extra book between the second book and the start of the byline series, where James arrives in New York. Book Three will be set in a 24 hour period in London. This novel will be available in ebook on all major ebook retailers by the end of mid 2022. And, the paperback editions soon after. I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
112,960 of 99,000 Words
Book Four the James Lalonde series needs one final round of revisions before I can hand it off to my editor. This longer novel will be published on all major ebook retailers in early 2023. And, the paperback editions soon after. I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
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