THE AUTHORPRENEUR PODCAST
Writing, Self-Publishing, and Book Marketing Advice for Writers
TAP028, 5 Tips for Structuring a Story with the Hero’s Journey (Part 4 of 4)
What the listeners are saying…
[The Authorpreneur Podcast] explains concisely the information I need to hear in order to move past insecurities and do the work!
I love the bite-size length of these episodes, and hearing about another’s writer’s experience and methods. Often, how-to books/info about writing can become quite pedantic or salesy, trying to convince you to follow their exact method and how it will solve all your problems. Refreshingly, [Amelia] is simply real and honest. I recently struggled to start revisions on my manuscript, but one of her tips has got me back into the work. Excited to keep following along with her journey!
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Season One Episodes
The first season of The Authorpreneur Podcast has twenty-five episodes and focuses on plot and story structure.
So you’ve brainstormed ideas for the three plot points in the first act of your story, and you’re now wondering how to transition between act one and act two. How do you take your character into the core conflict of the story? The easiest way to do this is to set up a point of no return scene in your story. In this episode, I’ll discuss the point of no return scene and its position in the story. I’ll also share two important tips you need to consider as you write point of no return scene.
So, you’ve created a great narrative hook and an ordinary world scene for your story and you’re thinking ‘what next?’ In this episode, I will share will you the important elements of the next plot point in the first act of your story. The next plot point in the first act is the inciting incident.
Are you struggling to figure out how to start your novel? Quite often we place much emphasis on the first sentence or paragraph and not to the large scene. In three-act structure, this scene is referred to as the ordinary world. In this episode, we are going to discuss why this scene is so important and I’ll share seven tips to help you write a great ordinary world scene.
So, how do you start a story? How do you hook the reader from the very first page? In the literary world, there is a lot of talk about how to write an inciting first line or paragraph. There’s a step you need to take before you put pen to paper. This step is outlining your story and structuring it in such a way that hooks the reader. And, how do you achieve this? By creating an irresistible story hook.
So, you’ve got a story idea that you can’t wait to write and you’re wondering; how do you write a good story? Is there a structure you should follow as you write a novel? There are no hard and fast rules when it comes to writing a novel. If you’re just starting out, then I recommend using Three Act Structure. This type of story structure is a writing tool used by screenwriters. It was studying the craft of writing for screen, which I was introduced to the concept of structuring a story.
Are you struggling to decide whether you should plot or pants your novel? If you’ve been a writer for longer than a quick minute, then you already know the debate between plotting vs pantsing is fierce. Before you decide whether to plot or pants your novel, you need to consider how you learn. It’s important to understand why these options for work for some writers and not others. If you’ve ever wondered, how to decide whether to plot or pants your novel, then this is for you.
So, you’ve recently discovered that your story is lacking conflict. And now you’re wondering: how can I create conflict in a story? And, where can you add more conflict into your story?
You’ve fleshed out your story idea and you’ve suddenly realised that your story is lacking conflict. Don’t worry this is normal. Right now, you’re probably asking yourself two questions. What are the 5 types of story conflict? And, how do you add more conflict in a story?
So, you’ve created an idea for your story that you can’t wait to write. But, you’re feeling stuck and don’t know how to flesh out a story idea. It’s at this point that you start to realise that writing a novel is a much harder task then you first imagined. This realisation is perfectly normal. It’s the result of focusing on a grand goal instead of the next step along the path. And, this is exactly what you need to do when you flesh out a story idea. You need to focus on the next step, not writing the first chapter of your book or even creating an outline for your novel. Before you start planning or writing by the seat of your pants, you need to flesh out your story idea into a synopsis.
So, you’ve created an idea or one-liner pitch for your story and, you’re feeling stuck and don’t know what to do next. And, your wondering, how to flesh out a story idea into a synopsis. When you first come up with an idea for a novel the process of developing a story idea can seem like an endless daunting journey. This feeling is perfectly normal. It’s the result of focusing on a grand goal instead of the next step along the path. And, this is exactly what you need to do when you flesh out a story idea into a synopsis.
You’ve probably just read the title of this post, ‘how to know if you’re a writer’ and thought, ‘she’s reading my mind.’ I swear to you, I’m not a mind reader. This has got to be the most frequently asked question among aspiring authors and writers. Everyone at some point with this issue of self-doubt. We fear that there are a set of prerequisites and we’re going to fall short. So, how do you know if you’re a writer? If you’ve ever found yourself asking that question, then this blog post is for you.
Are you stressing over whether your story idea is profitable? Are you worried that you’ll get to the launching stage of the publishing process and just hear crickets? It’s perfectly normal to have moments along your writing journey where you doubt whether people will read, like, or even buy your book. Nevertheless, there are two steps you can take to put your mind at ease no matter where you are at along the path to publication. As writer’s, we focus on either of these two paths when choosing a story idea: purely writing to market or following your passion. Choosing the latter option often leads you wondering how to tell if your story idea is profitable. Over the years, I’ve discovered the secret to choosing a profitable story idea lies somewhere in between. Choosing an idea that you’re passionate about that also has a demand by readers. So, what are these two steps to overcoming this classic writer’s insecurity? And, how put your mind at ease and tell if your story idea is profitable?