In the spirit of celebrating the 100th episode milestone, I’m going answer the top questions asked by my Blog Readers, YouTube Subscribers, and Podcast Listeners, and questions asked through my Ask A Question form on my website.
Toward the end of March, I started working with my editor on the Locked Room, and in this episode, I share the mistakes that were found in that writing into the dark manuscript in comparison to the previous stories that I’ve written.
In February, I finished my experiment with writing into the dark, and I’ll discuss how I achieved this, along with the response of my favourite beta reader. As you’ve come to expect, I will share my writing stats, days, time, word count and the step-by-step process that I used. Now that I’ve mentioned that, it’s crucial that I point out that I’m following Dean Wesley Smith’s Writing Into the Dark method, which he teaches in a course and in a book. I highly recommend that you check out both of these options if you’re interested in learning this writing into the dark technique.
A few weeks ago, I received an email from Plottr letting me know they were interested in chatting with me on my podcast about plotting and story organisation techniques and how Plottr can benefit both Plotters and Pantsers. Because Plottr is a story organisation tool I thought the interview would be great for this season of The Authorpreneur Podcast because I’m discussing outlining and the pre-writing phase. Also if you’ve been thinking about trying Plottr this might help you decide whether the software is right for you. So, in the show I’m chatting with Troy Lambert about plotting and story organisation techniques with Plottr.
Are you confused about scenes and chapters? Do you write scenes that aren’t working, and you wonder why? In this first instalment of this mini-series on scenes, I will discuss the difference between scenes and chapters. Define what is a scene in the context of novel writing. I will answer the age-old question, what is the perfect length of a scene? And I will share how to end a scene and know when a scene has reached its natural end.
In this episode, I discuss writing from a character’s point of view and share how to overcome the biggest mistake many first-time writers make. I’m not saying that I’ve mastered this technique in any way, shape or form, but I’ve made mistakes and learned valuable lessons that I want to share with you.
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