In this episode, I discuss writing from a character’s point of view and share how to overcome the biggest mistake many first-time writers make. I’m not saying that I’ve mastered this technique in any way, shape or form, but I’ve made mistakes and learned valuable lessons that I want to share with you.
As you can guess from the title of this show, I chat with Dave Chesson from Kindlepreneur about his new all-in-one writing software, Atticus. For those who don’t know, Atticus is a brand new all-in-one writing software for writers launched at the end of 2021. That’s when the reviews of the software first launched.
So you’ve created an outline for your novel, and now you’re ready to start writing. Diving into the first draft seems like the first logical step. First, however, I recommend you slow down and edit the outline of your novel. I learned this lesson the hard way after publishing my first-in-series novella.
In this episode, I discuss how I go from a story idea to a fleshed-out outline. I know this is obvious, but this is my process instead of ‘the way to outline a novel.’ As you can see from the title, this is the third and final instalment in a three-part mini-series on outlining a novel.
Welcome to the second instalment of my three-part mini-series on how I outline a novel. For those of you who are unaware, I discuss how I go from fleshing out a story idea to a basic outline in the first episode. In this show, I share the steps in my outlining process that help me create a structurally sound story with scenes that actively move the story forward. If you haven’t listened to episode TAP034, I highly recommend you pause here and go back and listen to that. The steps in this show take my outlining process and push it to the limits of being a zero draft.
In this episode, I will discuss how I go from a story idea to a fleshed-out outline. I know this is obvious, but this is my process instead of ‘the way to outline a novel.’ This process has evolved since my very first novel. As I wrote the next story, more steps were added to my intricate outlining approach.
When Will Thatcher, doesn’t show up for work, James Lalonde is forced to attend an afternoon tea with Alistair Carmichael in his place. The lovely autumn afternoon tea comes to an abrupt end when a body turns up on the lawn of the Carmichael Estate with strange markings on his neck.
But, something is missing, a priceless painting is off the wall. However, it’s no ordinary painting, it’s a Van Gogh purchased in an auction a few months ago. After discovering fresh tracks, most likely left by the murderer James realises the murder is still in the estate.
Rookie reporter James Lalonde is bored. And, he isn’t a journalist. He’s an all-round dogs-body, to editor-in-chief, Rhys Kelly. But, his luck has finally changed. After eavesdropping in on the morning editorial meeting, James learns he has his first-ever story. There’s one catch. If the story gets too complicated, it will be taken away from him and given to another journalist with more experience. Sure it’s a boring interview with the soon to be sworn-in magistrate, Albert Harrington, but it finally gets him out of his six-month slump as an editorial research assistant.
The following day, James turns up to his interview with Albert to discover a trail of blood smeared through Albert’s house, an empty safe, the murder weapon on the floor, but no body. Detective Anwar Khan turns up to the crime scene, puts two and two together, and believes James murdered the controversial magistrate. Can James clear his name and write his first-ever story before his editor takes it away from him?
James has a nose for trouble. But that’s nothing new. This time, things are different–his life is on the line. James is the chief editor of a small newspaper. It’s hardly captivating work. He’s bored. But all of that is about to change.
Late one evening, he returns home to discover his long-time girlfriend and journalist, Valentine, has left. Early the next morning, James fails to reallocate her assigned story. To avoid blank space in the culture section and losing his job, he decides to write the story on the local museum’s latest acquisition, Excalibur. But, there’s one thing he didn’t count on–Excalibur is missing, and a dead body is at the crime scene.
If you love gripping cloak and dagger mysteries with twists and turns, then you’ll love this first instalment in the James Lalonde Amateur Sleuth Mystery series. Get it now.
86,532 of 85,000 Words
Yesterday, I sent Duplicity off for proofreading. Yay! And I’ve set up preorders for this novel on Kobo, B&N, and Google Play with a release date of the 24th of November 2022. And, I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
0 of 60,000 Words
I’ve decided to add an extra book between the second book and the start of the byline series, where James arrives in New York. Book Three will be set in a 24 hour period in London. This novel will be available in ebook on all major ebook retailers by the end of mid 2022. And, the paperback editions soon after. I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
112,960 of 99,000 Words
Book Four the James Lalonde series needs one final round of revisions before I can hand it off to my editor. This longer novel will be published on all major ebook retailers in early 2023. And, the paperback editions soon after. I will be making this novel available for free to my James Lalonde Insiders reader club. You can become an insider here.
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